‘Both heartbreakingly funny and sad’ Humour at its darkest and writing at its best, Callum O’Brian’s play Coelacanth drags us to the lowest point of humanity’s fears but somehow makes us laugh about it. In a dystopian future we see death commodified and downloadable, and with this comes all the emotional and moral upheaval you might imagine. The production at ...
‘Too much is attempted and not enough is achieved’ Sometimes a piece of theatre can aim too high, extending its hands out far beyond its actual reach, trying for something admirably complex but ultimately unattainable. Unfortunately, this is Spit Ends, a piece that tries to tread the line between tragedy and comedy, a piece that attempts the Love Actually style ...